Transient Codes 2:
Josiah Wedgwood experimented repeatedly with clay firing to achieve different colours of Jasper. Wedgwood called these experiments ‘trials’ and inscribed them with various secret coding to guard the variables of how the final results were achieved.
This work has been inspired by researching and observing the ‘trials’. The paintings are created using layers of clay body, ceramic pigment, cement and oil paint to create a dialogue between painting and ceramic history. The colours and inscriptions are reminiscent of the original trials but the coding has been changed to reflect my own personal histories. The paintings have been altered since they were previous shown which adds to the transient nature of the work.
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