Saturday 26 November 2016

Midpointness - Documentation 26/11/16



Third band of green:




Invigilator to play favourite song on repeat:



Turn one of Gerard William’s Cultural Currency pieces around using a ladder with clean hands:


The invigilator should paint the end of the large false wall that faces the pillar white using masking tape to stop the paint spilling onto the other sides of the wall. The invigilator should also use the tin of paint labelled 26th Nov in the workshop to paint the tiny bit of wall on the right hand side of the entrance to screening room and above the doorway in this colour:




Midpointness is an evolving project which seeks to equate itself along the lines of a conceptual model of the cosmic. Over the course of 4 weeks, this group exhibition, featuring works by 27 UK and international artists will change and evolve, grow and diminish, pulsate through the works of the artists and the participation of the audience. Curatorial control will, at times be handed over to Gallery staff and exhibition visitors, both live and remote. Through this egalitarian, hierarchy-free approach, Midpointness will seek to explore the nature of the artist, the exhibition, the audience and the work of art.

Friday 25 November 2016

Midpointness - Documentation 25/11/16



Second band of green:



Altering the hang of Kate Buckley’s work - blanks ready for prints:



Today the invigilator should write a short story:








Midpointness is an evolving project which seeks to equate itself along the lines of a conceptual model of the cosmic. Over the course of 4 weeks, this group exhibition, featuring works by 27 UK and international artists will change and evolve, grow and diminish, pulsate through the works of the artists and the participation of the audience. Curatorial control will, at times be handed over to Gallery staff and exhibition visitors, both live and remote. Through this egalitarian, hierarchy-free approach, Midpointness will seek to explore the nature of the artist, the exhibition, the audience and the work of art.

Thursday 24 November 2016

Midpointness - Documentation 24/11/16



First band of green:



Altering the hang of Kate Buckley’s work:


Say midpointness 1000 times in an hour & draw portraits of visitors:



Write numbers on a blank wall for a hour:





Midpointness is an evolving project which seeks to equate itself along the lines of a conceptual model of the cosmic. Over the course of 4 weeks, this group exhibition, featuring works by 27 UK and international artists will change and evolve, grow and diminish, pulsate through the works of the artists and the participation of the audience. Curatorial control will, at times be handed over to Gallery staff and exhibition visitors, both live and remote. Through this egalitarian, hierarchy-free approach, Midpointness will seek to explore the nature of the artist, the exhibition, the audience and the work of art.

Saturday 19 November 2016

Midpointness - Documentation 18/11/16

Invigilator’s Instructions



Today a wall was painted white in preparation for the unfolding of John Plowman’s work.




Midpointness is an evolving project which seeks to equate itself along the lines of a conceptual model of the cosmic. Over the course of 4 weeks, this group exhibition, featuring works by 27 UK and international artists will change and evolve, grow and diminish, pulsate through the works of the artists and the participation of the audience. Curatorial control will, at times be handed over to Gallery staff and exhibition visitors, both live and remote. Through this egalitarian, hierarchy-free approach, Midpointness will seek to explore the nature of the artist, the exhibition, the audience and the work of art.

Saturday 5 November 2016

Woman's Work - The Documentation



Woman’s Work is a partnership project between AirSpace Gallery and The Potteries Museum and Art Gallery. Woman’s Work seeks to make visible the hidden and unsung labour carried out by women in the home, the workplace and public life, and in particular seeks to redress the imbalance in history and the arts, where work made by women has been undervalued, or simply not recognised.

Here is documentation of the 5 artists' work -  Joanne Ayre, Monique Bestern, Claire Blakey, Phoebe Cummings and Stephanie Rushton