Here we take the opportunity to reconnect with some of the fantastic artists and curators that we have built relationships with over the years, by asking them to nominate a rising star for inclusion in the Decapod exhibition. In this way we are continuing with our ethos of supporting the next generation of artists, something which has always been at the heart of what we do.
Decapod
Ten Years, Ten Selectors, Ten Artists.
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Juree Kim - selected by Neil Brownsword (2009)Born in 1981 in Seoul, Korea, Juree Kim majored in sculpture at Kyung Hee University. She had her rst solo show in 2005 at Ga Gallery, and in 2011, Kim was invited to show at The Second Chongging Asia Young Artist Biennale. Working with paint, sculpture and lm, Juree Kim’s work explores themes of temporality and ephemera in particular in concern to her social and economic surroundings.
"The work is about disappearance – it is about ephemerality. Therefore dry unfired clay disappears when put into water. The artwork focuses on dual existence. The constructions of buildings reduced in scale are made out of clay and upon completion of making they are destined to de-construct by disappearing slowing when encountered with water. This natural substance is the destroyer yet at the same time life is incorporated in the process of disappearance. The word ‘Hwi-gyoung’ is significant for ‘disappearing landscape’ but at the same time it takes after the name of an old district that is on the verge of disappearing in Korea. The work is about the disappearance of architecture and different urban features of the 1970s and 1980s, with the effect caused largely by capitalism. These architectural characteristics carry the spirit and culture of a particular period in Korea.
The structure made of soil is eroded by the artificially poured water and finally melts down. As an artist, I cannot intervene in the process of the encounter between earth and water, whatsoever. Solely the interactions between the two matters create my work. Water becomes muddy water and the once solid soil becomes soft and fluid, losing its original shape. The pair becomes a single body, destructing themselves in the completion of self-denial. Water symbolizes life but at the same time, it can be a threat to life. All living beings need water to survive but sometimes, water covers up everything and takes our lives. In my work, 'water' is a double-faced actor: destroyer and the existence completing the work."
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Her installations often refer to the domesticated space. The inanimate object is on the boundary of becoming personified after being subjected to everyday human processes, and so the works often portray a situation on the brink of retaliation. Many of her works incite a feeling of frustration and play with the idea of failure. This reflects a loss of control often felt by the artist over her work, as well as a fear of what a loss of control over nature would mean.
How To Motivate The Household Plant
Enter every activity without giving mental recognition to the possibility of defeat. Concentrate on your strengths, instead of your weaknesses… on your powers, instead of your problems.
If you can imagine it, you can achieve it; if you can dream it, you can become it.
If you don’t pay appropriate attention to what has your attention, it will take more of your attention than it deserves.
If you do what you always did, you will get what you always got.
To be successful you must accept all challenges that come your way. You can't just accept the ones you like.
ACT TWO
Would you like me to give you a formula for success? It’s quite simple, really. Double your rate of failure. You are thinking of failure as the enemy of success. But it isn’t at all. You can be discouraged by failure or you can learn from it, So go ahead and make mistakes. Make all you can. Because remember that’s where you will find success.
Don't let what you cannot do interfere with what you can do.
It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure.
Successful people do what unsuccessful people are not willing to do. Don't wish it were easier, wish you were better.
If we did all the things we are capable of, we would astound ourselves.
ACT THREE Be patient with yourself. Self-growth is tender; it’s holy ground. There’s no greater investment.
If you are hurt, whether in mind or body, don’t nurse your bruises.
Get up and light-heartedly, courageously, good temperedly get ready for the next encounter.
This is the only way to take life – this is also ‘playing’ the game!
Yesterday is not ours to recover, but tomorrow is ours to win or lose.
Never give up, for that is just the place and time that the tide will turn.
If you are not willing to risk the usual you will have to settle for the ordinary.
If you're going through hell keep going.
It does not matter how slowly you go so long as you do not stop.
Don't let what you cannot do interfere with what you can do.
Give yourself an even greater challenge than the one you are trying to master and you will develop the powers necessary to overcome the original difficulty.
What lies behind us and what lies before us are tiny matters compared to what lies within us.
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